Iron Maiden versus Gamebooks

Could there be a better gateway to Metal than Iron Maiden? Not to mention as a musical accompaniment to gamebook playing and dungeon delving? You've got a blistering twin lead guitar attack from Dave Murray and Adrian Smith, accompanied by the operatic tenor of Bruce Dickinson as he wails about mystical themes that rival anything in Spinal Tap's back catalogue. Add the tight rhythm section of band-founder Steve Harris' self-taught bass power chords and Nicko McBrain's drum assault, and you have the classic template for wholesome heavy metal goodness.

The above band lineup should give you a hint about my bias towards what I consider classic Iron Maiden, and indeed leads to our problem for today: How to compile a decent Iron Maiden mix-tape? Two straight-up rules make the process easier:

1. No songs from Iron Maiden or Killers. Paul Di Anno is a great singer and early Iron Maiden is fabulously punk-rock, but it just sounds weird alongside their classic epic material which is what we want to focus on here. Perhaps another mix tape, Iron Maiden: The Early Years, should be compiled?
2. No songs beyond Seventh Son of a Seventh Son. That's the last album I listened to before I traitorously abandoned metal in favour of cooler soundscapes. There may well be excellent material on their more recent albums, and one of these days I may even do some research on this, but not right now.

This gives us a solid sequence of six great albums: The Number of the Beast, Piece of Mind, Powerslave, Live After Death, Somewhere In Time and Seventh Son of a Seventh Son. There are still problems however!

1. Too many good songs! There's eight songs on Somewhere In Time alone that I'd be happy to listen to on any Iron Maiden mix tape.
2. The songs are too long! Most of the short songs are on the first two albums, and we've already culled those from the selection.

So we need to start thinking themes. If we're wandering the catacombs beneath Firetop Mountain battling the minions of Zagor the Warlock, we want an appropriate soundtrack of epic fantasy. This means ditching any references to Napoleonic soldiers, fighter plane pilots and futuristic cyborg assassins (which we could of course stick on another mix tape), leaving us with...

The Iron Maiden Mystical Metal Mix (c90, 2011, Bangkok)

Side A
Moonchild
The Number of the Beast
Sea of Madness
Powerslave
Flight of Icarus
Seventh Son of a Seventh Son
Hallowed Be Thy Name

Side B
Still Life
To Tame A Land
Children of the Damned
Rime of the Ancient Mariner (from Live After Death)
Alexander the Great
The Clairvoyant

Ninety minutes of fantasy metal awesomeness!

Finally, mention has to go to Derek Riggs whose amazing artwork of Eddie the Head for their various singles, albums and tour posters is basically synonymous with Iron Maiden. I've attached two of my favourite illustrations of his to this post, and to print out and use as covers for the mix tape.

Metallica versus Gamebooks

"Writing about music is (as they say) like dancing about architecture."
(Beaumont, 2005)

So there I was wandering through Coop's classic blog post on the influences of the British Old School and I stumbled upon his shout-out to Iron Maiden, king of the New Wave of British Heavy Metal. Maiden fully deserve a future blog post in their own right, but to me, and particularly my adolescent self back in the mid to late 80's, they were part of the the Big Three M's of Metal, the other two being Motorhead (and I'm not even going to attempt to find a bloody umlaut) and Metallica. Whether I was reading gamebooks, planning D&D adventures, or playing boardgames, all these guys formed the background soundtrack.

When I hit University however, I quickly abandoned Metal in favour of cooler if more obscure indie, alternative and hardcore bands such as Dead Kennedys, Black Flag, Rollins Band, Fugazi, Big Black, Butthole Surfers, Killdozer, Godflesh, and local stalwarts The Mark of Cain. The sounds were more ferocious, the t-shirts more subtle and yet more disgusting, and there was no bloody spandex to be seen, praise Satan!

Fast forward half a decade and I'm in Vientiane, capital of the Peoples' Democratic Republic of Laos, and discover one of my buddies has all the early Metallica albums (I only consider the first four decent - the Black Album and anything beyond that are just garbage IMHO). To get me through the tedious hedonism of expatriate life in Indochine I compile a 90 minute mix tape of all my favourite Metallica tracks that I used to listen to, back when I was playing gamebooks.

I've still got the tape (still have all my tapes being such a chronic Luddite), and I present its track listing here for your edification, so that if you too were absorbing the sounds of Metallica while battling your way through countless dungeons it may strike a chord of nostalgia. Otherwise, for those who are too old, too young or perhaps too cool, consider it a snapshot of a time fondly remembered but perhaps best forgotten...

The Metallica versus Gamebooks Mix Tape (c90, 1996, Laos)

Side A
Welcome Home (Sanitarium)
The Thing That Should Not Be
One
Jump in the Fire
For Whom the Bell Tolls
Orion (instrumental)
Damage Inc.
(Anesthesia) Pulling Teeth (instrumental)

Side B
Fade To Black 
Battery
Master of Puppets
Creeping Death
The Call of Ktulu (instrumental)
To Live Is to Die (edit - first minute only)
The Wait

Possibly the only thing I'd change these days would be to ditch For Whom the Bell Tolls and Pulling Teeth in favour of Metallica's epic cover of Diamond Head's Am I Evil?. Generally however, I feel that's a pretty solid selection of Metallica tunes, with the bulk of the material coming from their most excellent second and third albums, Ride the Lightning and Master of Puppets. Rock and roll!

References

Beaumont, R. (2005, February 27). Fine writing and reasonable force. The Nation, p. 10A.